Grace Potter & The Nocturnals Gig Poster August 19 Burlington VT

60.00

A striking screen-printed concert poster for Grace Potter & The Nocturnals, produced for their August 19 show at Waterfront Park, Burlington, Vermont. The design features a bold, surrealist composition rendered in a two-color halftone palette of black and teal/blue on white stock. A large bear crouches atop a tilting grand piano while raccoons with glowing red eyes lurk menacingly below — a playful nod to nocturnal wildlife that ties cleverly to the band’s name and Vermont’s natural landscape. Pine tree silhouettes and a dramatic low-angle perspective add cinematic depth. The poster credits Josh Ritter as a supporting act and bears a small decorative logo mark in white. This is a numbered limited edition print, hand-numbered 61/475 in pencil in the lower right margin, with an additional ‘to’ notation suggesting a dedicated copy. The halftone dot printing technique and layered color registration are characteristic of quality letterpress or screen-print gig poster production from the late 2000s–early 2010s indie rock poster scene. A desirable piece for Grace Potter collectors, Vermont music memorabilia enthusiasts, and fans of the flourishing gig poster art movement.

A striking screen-printed concert poster for Grace Potter & The Nocturnals, produced for their August 19 show at Waterfront Park, Burlington, Vermont. The design features a bold, surrealist composition rendered in a two-color halftone palette of black and teal/blue on white stock. A large bear crouches atop a tilting grand piano while raccoons with glowing red eyes lurk menacingly below — a playful nod to nocturnal wildlife that ties cleverly to the band’s name and Vermont’s natural landscape. Pine tree silhouettes and a dramatic low-angle perspective add cinematic depth. The poster credits Josh Ritter as a supporting act and bears a small decorative logo mark in white. This is a numbered limited edition print, hand-numbered 61/475 in pencil in the lower right margin, with an additional ‘to’ notation suggesting a dedicated copy. The halftone dot printing technique and layered color registration are characteristic of quality letterpress or screen-print gig poster production from the late 2000s–early 2010s indie rock poster scene. A desirable piece for Grace Potter collectors, Vermont music memorabilia enthusiasts, and fans of the flourishing gig poster art movement.

No visible folds, tears, or foxing from photos. Poster appears clean and flat. Pencil numbering (61/475 to) present in lower right margin as issued.

Artist

Ted Olson

Year

2007

Dimensions

18×24

Edition

61/475

Signed

signed

Condition

fine