Battleship Potemkin 2007 Alamo Drafthouse Live Score Screenprint Poster

80.00

A striking limited-edition screenprint poster promoting a special screening of Sergei Eisenstein’s classic 1925 silent film Battleship Potemkin, with a live score performed by Graham Reynolds and the Golden Arm Trio. The event was held on February 24, 2007 at the Alamo Drafthouse Cinema, 409 Colorado St., Austin, Texas. Printed by Eye Noise (www.eyenoise.net) in an edition of just 100, this is number 90/100 as pencil-noted in the lower left margin. The bold three-color screenprint uses black, white, and red to powerful effect: a halftone close-up of a screaming face — referencing the iconic Odessa Steps sequence — dominates the composition, overlaid with a vivid red title banner in stencil-style lettering using Cyrillic-influenced letterforms. Red ink splatter across the lower half reinforces the film’s violent themes. The typography throughout mirrors Soviet constructivist design aesthetics, lending the piece strong period-appropriate visual drama. A genuinely collectible piece at the intersection of film culture, live music events, and contemporary poster art, from one of Austin’s most celebrated independent cinema venues. Limited to 100 copies, making surviving examples increasingly scarce.

A striking limited-edition screenprint poster promoting a special screening of Sergei Eisenstein’s classic 1925 silent film Battleship Potemkin, with a live score performed by Graham Reynolds and the Golden Arm Trio. The event was held on February 24, 2007 at the Alamo Drafthouse Cinema, 409 Colorado St., Austin, Texas. Printed by Eye Noise (www.eyenoise.net) in an edition of just 100, this is number 90/100 as pencil-noted in the lower left margin. The bold three-color screenprint uses black, white, and red to powerful effect: a halftone close-up of a screaming face — referencing the iconic Odessa Steps sequence — dominates the composition, overlaid with a vivid red title banner in stencil-style lettering using Cyrillic-influenced letterforms. Red ink splatter across the lower half reinforces the film’s violent themes. The typography throughout mirrors Soviet constructivist design aesthetics, lending the piece strong period-appropriate visual drama. A genuinely collectible piece at the intersection of film culture, live music events, and contemporary poster art, from one of Austin’s most celebrated independent cinema venues. Limited to 100 copies, making surviving examples increasingly scarce.

Minor ink smudging/bleed visible along the bottom black border edge. Small handling marks near lower left corner. No visible tears, folds, pinholes, or tape residue apparent from photos. Overall presents very well.

Artist

Scott Thomas

Year

2007

Dimensions

18×24

Edition

90/100

Signed

signed

Condition

fine